Camille saint-saëns saint-saëns - feike asma - symphonie nr. 3 c-moll op. 78


Adagio For Strings  
  iTunes   Amazon One of the saddest piece of classical music ever composed. A rearrangement of the second movement of his "String Quartet In B Minor," this somber piece says "mourning." Played at funerals for Albert Einstein and Princess Grace of Monaco, and in slow motion scenes in war films, like in Oliver Stone's 1986 film "Platoon," which was parodied in the 1996 "Seinfeld" episode "The Fatigues." Also in the 2001 movie "Amélie." You may have heard electronic versions of this piece by techno DJ William Orbit in 2000 and DJ Tiesto in 2005.

On leaving the Conservatoire in 1853, Saint-Saëns accepted the post of organist at the ancient Parisian church of Saint-Merri near the Hôtel de Ville . The parish was substantial, with 26,000 parishioners; in a typical year there were more than two hundred weddings, the organist's fees from which, together with fees for funerals and his modest basic stipend, gave Saint-Saëns a comfortable income. [27] The organ, the work of François-Henri Clicquot , had been badly damaged in the aftermath of the French Revolution and imperfectly restored. The instrument was adequate for church services but not for the ambitious recitals that many high-profile Parisian churches offered. [28] With enough spare time to pursue his career as a pianist and composer, Saint-Saëns composed what became his opus 2, the Symphony in E ♭ (1853). [24] This work, with military fanfares and augmented brass and percussion sections, caught the mood of the times in the wake of the popular rise to power of Napoleon III and the restoration of the French Empire . [29] The work brought the composer another first prize from the Société Sainte-Cécile. [30]

Death is up there on most composers’ radars as a worthy inspiration. Saint-Saëns happened on the subject in the early 1870s, originally setting to music a strange, art-house poem by Henri Cazalis, which has the first line ‘Zig, zig, zig, death in cadence’. Originally it was for voice and piano but, thankfully, Saint-Saëns reworked it a couple of years later, substituting a violin for the voice and adding the full orchestra. When it was premiered at one of the Parisian Châtelet concerts (these took place in the Théâtre du Châtelet) it was immediately encored in full. Since then, it has remained one of Saint-Saëns’s most popular pieces, with television providing endless opportunities to hear it again in theme tunes.

There’s a whole narrative that unfolds in the piece, with the violin representing death himself and the story starting at midnight – hence the twelve chiming opening notes. So it was completely appropriate that the piece was chosen to open the Bafta-winning mystery crime series, from 1997 to 2013. It starred Alan Davies as the magician’s assistant who solves apparently supernatural mysteries using his knowledge of trickery.

  Clarinet 1/2 (B ♭ )
* #37852 - , 6 (2-7) pp. -  /10 2 4 6 8 10 ( - )  - V / V / V - 7995 × ⇩ - Ottaviano


Camille Saint-Saëns Saint-Saëns - Feike Asma - Symphonie Nr. 3 c-moll op. 78Camille Saint-Saëns Saint-Saëns - Feike Asma - Symphonie Nr. 3 c-moll op. 78Camille Saint-Saëns Saint-Saëns - Feike Asma - Symphonie Nr. 3 c-moll op. 78Camille Saint-Saëns Saint-Saëns - Feike Asma - Symphonie Nr. 3 c-moll op. 78

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